As spring begins to bloom, so does Tiffany & Co.’s latest collection.
The American house just unveiled the spring launch of its new high-jewelry collection today. The dazzling lineup is known as the Blue Book 2026: Hidden Garden catalog, which was brought to life by Tiffany’s SVP, chief artistic officer Nathalie Verdeille; the new offering takes motifs from famed designer Jean Schlumberger and imbues them with modern touches of flora, fauna, and other fantastical elements pulled from Mother Nature.
In tune with the season, the Hidden Garden collection focuses on transformation and movement, which can be seen in the jewelry’s creatures, twirling, sculptural wines, and other geometric shapes. The idea of metamorphosis is aptly displayed in the Butterfly story, which shows off unenhanced padparadscha and Montana sapphires that form the creature’s wings, alongside fancy vivid yellow diamonds or white oval diamonds to create the butterfly itself. For the Monarch offering, Tiffany pulls from a Schlumberger necklace design with a hidden butterfly on display, surrounded by vines and foliage handcrafted in platinum, 18-karat yellow gold, and pavé diamonds, with cushion-cut sapphires from Sri Lanka and Madagascar. A matching pair of earrings, meanwhile, shows off D-color, internally flawless Type IIa emerald-cut diamonds of over 10 total carats.

Hidden Garden takes its cues from all sorts of flora and fauna.
Tiffany & Co.
Elsewhere in the collection, you’ll find a new take on Schlumberger’s Bird on a Rock design. This time, the feathered friends are perched beside magnificent cushion-cut Santa Maria-hued aquamarines, from Brazil, with custom-cut chrysoprase beads in a bright green acting as their backdrop; the most eye-catching is a necklace adorned with an over-22-carat-aquamarine. Other animal-centric offerings throughout the lineup include the Paradise Bird, which has a creature sat upon a vibrant gem, from Mexican fire opal to Ethiopian blue chalcedony, on each brooch; the Parrot, which pulls from many of Schlumberger’s 1960s parrot brooches, with blue and purple sapphires abound; and the Bee, where a honeycomb-inspired design shines brightest next to a ring adorned with a D-color, internally flawless Type IIa oval diamond of over 10 carats (and plenty of hidden creatures buzzing around, too.)
Moving into flora, the Jasmine design pulls from a Schlumberger creation from 1961-62 (a necklace made for philanthropist Bunny Mellon, according to Town & Country), showing off platinum braiding and D-color, internally flawless Type IIa cushion-cut diamonds. Twin Bud, meanwhile, takes its cue yet another Schlumberger design, done up in either vivid unenhanced Zambian emeralds or bright-cut and cut-down diamonds that are surrounded by entwined, sculptural vines to mimic a pair of flowers ready to blossom. Rounding out the offering are Bloom, Marguerite, and Palm.

The lineup is filled with earrings, brooches, and more, and are often adorned with colorful gems.
Tiffany & Co.
“Blue Book 2026: Hidden Garden reflects our continued commitment to creativity, craft, and the highest standards of gemology,” Anthony Ledru, Tiffany’s CEO, said in a press statement. “This collection—one of Tiffany & Co.’s most important traditions for over a century—honors the legacy of Jean Schlumberger while demonstrating how we continue to evolve it for today’s high jewelry client. Under Nathalie Verdeille’s creative leadership, and in close collaboration with our gemologists and artisans, we are pushing the boundaries of design and technical excellence.”
Last year, Tiffany & Co. chose to dive into the marine world for its Blue Book 2025 lineup. That collection, called Sea of Wonder, included pieces like a striking necklace set with diamonds with icy-blue and sea green cuprian elbaite tourmalines from Mozambique as well as a ring adorned with a very rare Paraìba cuprian elbaite tourmaline. As for where Tiffany will draw inspiration for its 2027 Blue Books, we’ll just have to wait and see.
Authors
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Nicole Hoey
Digital Editor
Nicole Hoey is Robb Report’s digital editor. While studying at Boston University, she read, wrote and read some more as an English and journalism major. A class taught by a Boston Globe copy editor…


